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Murder Most Fowl

Jonathan McDonald

(Ande Cook)

(Ande Cook)

A couple of months ago, the book blog and news aggregator Lit Hub published a humorously macabre story about the sudden, violent death of one of the peahens kept at the old O’Connor farm in Andalusia. The article title mistakenly describes Mary Grace as a peacock, but the one male of the group, Manley Pointer, also died this year under circumstances any mystery writer would find suspicious.

In late December, she noticed Manley Pointer was ailing. “He was sluggish and not eating. He’s a peacock, so we’re used to seeing him strutting around, and we noticed he was sitting down a lot.” On January 8, April Moon Carlson, the operations and visitors service manager, arrived in the morning to see Manley struggling. As a friend drove them to the vet, Manley Pointer died in her arms. He was 6 years old….

But the aviary did not serve as much protection for Mary Grace, the second of Andalusia’s peacocks to die this year. One morning, Wylie noted, the peacocks’ caretaker came in to see an unusual number of feathers scattered all over the pen, and a hole in the wiring. “Mary Grace had been savagely murdered,” Wylie said. “I saw [sic] ‘murdered’ because the creature, we think a weasel, didn’t eat her. There were body parts all over. The creature ate her face. That’s one of the characteristics of a weasel, is it eats the face. ”

The lone remaining peacock, Joy/Hulga, escaped with her life but not, Wylie suspects, without some trauma. “Of course, she must have witnessed all that.” Wylie said. “I just can’t imagine. It does have a Flannery flair to it.”

Indeed, the Abbess of Andalusia would probably have found something grimly funny about peafowl murder. No doubt it would have generated a story about an uneducated backwoods man stumbling across a peacock, being overcome by its suggestively symbolic beauty, and murdering it to prevent the Holy Ghost from gaining any further purchase within his soul.

Or so I like to think.

The article also goes on at some length about the Andalusia farm and its transformation into a site for literary pilgrimages:

For a time, Andalusia was abandoned. The farmhouse laid empty, the pasture emptied of cows and dairy equipment. It wasn’t uncommon for local teenagers and literary pilgrims to sneak past the “No Trespassing” gate to take a look at the grounds. When Mississippi police found the body of Confederacy of Dunces novelist John Kennedy Toole after his suicide, they found evidence that one of his last stops had been to Milledgeville to see Andalusia….

Andalusia opened as a museum in 2003. Peacocks returned to the property in 2009, a gift from Col. Charles Ennis of Milledgeville. They lived in the aviary to protect from predators, and served as a major attraction to visitors and the children of Milledgeville.

Who’s up for a road trip?

(From the Flannery O’Connor Collection, Emory Manuscript, Archives, and Rare Book Library.)

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Filed Under: Deep Down Things

Jonathan McDonald

About Jonathan McDonald

Jonathan McDonald is the Web Editor at Dappled Things. He studied literature at the University of Dallas, where he was the founding Editor-in-Chief of Ramify, the Journal of the Braniff Graduate School.

Comments

  1. AvatarRoseanne T. Sullivan says

    December 29, 2015 at 4:25 pm

    This reminds me of something not all readers of this post may know, that Mary Flannery O’Connor got her first taste of fame from teaching a Bantam hen to walk backwards and then getting herself and the hen filmed in a newsreel that went round the world. It apparently gave her a taste for raising fowl and a yearning for the chance to capture the world’s attention again. If she could only find a three legged chicken or some other grotesquery and get herself some more fame …

    I actually read Flannery’s essay titled Living with Peacock when it was originally printed in Holiday magazine in September 1961, when I was 15. It was an intimidating, inspiring, and highly enjoyable read for an aspiring writer to read by one of the very rare women writers whose great talent was recognized: https://holidaymag.wordpress.com/2012/03/30/living-with-a-peacock-by-flannery-oconnor-september-1961/

    But it wasn’t until many years later that I was gratified to see the Pathe news clip she mentioned in her opening paragraphs of the Holiday article, here:

    http://www.openculture.com/2012/06/author_flannery_oconnor_captured_on_film_at_age_5.html

    This reminds me of another story. When I went to France in 1997 for a yoga retreat, we stayed in an ancient stone farmhouse called Le Mas des Rives outside a village called Sauteyrargues, in Languedoc-Roussillon. While I was unpacking, I heard an odd type of bird’s cry, a cawing of sorts coming through the windows from the shrubbery around the farmyard. It could be a crow, I thought, but if so, French crows must have a pathetic and angst-filled resonance to their cries that their American cousins were lacking. When we were eating outside later, I saw that what I had thought was a crow’s caw was coming from the throat of a peacock dragging its tail across the lawn. As Flannery O’Connor described it, he went something like, “Lee-yon lee-yon, Mee-yon mee-yon! Eee-e-yoy eee-e-yoy. Eee-e-yoy eee-e-yoy!”

  2. AvatarKell Brigan says

    February 19, 2016 at 5:25 pm

    YouTube has everything!
    https://youtu.be/dtnV-iD2QlI

Mary, Queen of Angels 2020

Purchase Featuring nonfiction from Joshua Hren, fiction from Jennifer Marie Donahue and Rob Davidson and the winners and honorees of the Bakhita Prize in Visual Arts.

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