Our thanks to the delightful St. Peter’s List for featuring Dappled Things as one of “3 Literary Journals to Feed Your Soul..”

Dappled Things is pure Catholic joy. From the moment you open the journal, you will be inspired. Dappled Things includes short stories, poems, essays, and visual art by faith-filled authors, scholars, and artists. The artwork is uniquely exquisite with a wide range of styles from artists you may or may not heard of. …my favorite aspect about Dappled Things is the editorial board is unafraid of exhibiting authors and poets who have a profound and deep love for Jesus Christ.

We’re longtime fans of Image and are excited to see a relatively new entrant into the Catholic literary world – Pilgrim. Be sure to check out these other terrific publications!

2012 SAMLA CONFERENCE CALLS FOR PAPERS November 9-11, 2012 Research Triangle, North Carolina Special Focus: Text as Memoir: Tales of Travel, Immigration, and Exile

In The Moviegoer Walker Percy famously defines the idea of “the Search”: “What is the nature of the search? you ask. Really it is very simple; at least for a fellow like me; so simple that it is easily overlooked. The search is what anyone would undertake if he were not sunk in the everydayness of his own life.” As a way to incorporate this year’s convention themes of travel and exile, papers should address the ways in which the Search manifests itself in Percy’s writings, not only in The Moviegoer but also in his other novels or even his non-fiction works. The Search can be considered in terms of the literal journeys of Percy’s characters in time and space or metaphorically as psychological or spiritual journeys. Considerations can also be given to the sense of exile that Percy’s characters experience because of their own struggles with the Search. By June 1, 2012, please submit abstracts of 300 words to Paul Stapleton, University of North Carolina at Chapel Hill, stapleton@unc.edu

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While “3D printing” technology is still in its early stages, many commentators are already discussing how it will usher in a third industrial revolution during the coming century. The technology allows for cheap, customized, small-scale manufacturing: simply create a three-dimensional design (or download it from the internet), press print, and — voilà — out comes an bracelet, a wrench, an engine part — or a sculpture.

The technology is already becoming a reality for everyday people through companies such as Shapeways and Quirky, which allow anyone to upload and sell designs online. If you are relatively unfamiliar with the technology, you may find the following video as fascinating as I did:

As I said earlier, commentary about 3D printing tends to center around its potential economic effects, but I am likewise intrigued by how it may affect the world of art and design. Though as an economist by training I admire the many benefits of the original industrial revolution and the advent of mass production, which allowed for an unprecedented increase in standards of living across the world as goods were made available at ever-more-accessible prices, as a lover of beauty I’ve been much less of a fan. As factories killed the craftsman, design became increasingly utilitarian and lacking in charm. Uniformity became the norm. Detail, inventiveness, and imagination faded from our everyday lives. While some think that a simple return to a more craft-centered way of life and production is the solution, I’ve never been satisfied with such an answer for the simple reason that such labor-intensive work is too costly to be available the mass of humanity. Only the relatively well-off (and by world standards, that includes most Americans) can afford to sneer at the soullessness of the products one might find at the local Walmart; I think it is fair to say that most others would just be delighted to find what they need to furnish a home at a price they can afford. For detail and charm to return on a massive scale they simply have to become affordable.

And this is why 3D printing intrigues me so much. The potential it has for feasibly producing small-scale, detailed, skillfully-designed, and inexpensive goods could transform the aesthetics of our everyday lives. Think, for example, how this could affect architecture. A person could design a structure as full of detail as a Gothic cathedral, each sculpture and ornament entirely unique to the building, and then simply print the relevant parts at a relatively low cost. While, of course, this can never quite match the charm and dignity of an item crafted by hand, there would still be, I think, an element of uniqueness and authenticity.

I’m curious to read what others think. Could this “third industrial revolution” mark a turn away from utilitarianism and usher in a renaissance in forms of design that are more detail-oriented and humanizing? Or could it, perhaps, have the opposite effect by turning even the craftsman into just another desk-worker staring at a screen, one more step removed from the physical world? (I can already imagine the craftsman of the future sitting in a cubicle in some nameless office building, working 9 to 5 [if he's lucky], never even touching the fruits of his labor.)

So what will it be: utopia or dystopia? I suppose the truth will lie somewhere in between.